Nancy Bulkley received her B.F.A. from Alfred Universtiy. She has been teaching ceramics to adults and children for over twelve years. For nine years she lived in California, teaching ceramics in the summers at Idyllwild Arts in the mountains of southern California, and doing several residencies at the Mendocino Art Center, her base was in San Francisco teaching at the Jewish Community Center. Nancy enjoys making both functional and sculptural forms. She is a currently a member of the Ann Arbor Potters Guild.
Ryan Forrey started working with clay in 1990 when he was growing up in Lancaster, Pennsylvania. Ryan went on to receive his BFA in ceramics from Alfred University. After graduation in 1996 he accepted a residence Potter position at Greenfield Village Pottery part of The Henry Ford, where he continues to produce a wide range of work. In 2000 Ryan had the opportunity? to show and travel with his work throughout China where he explored traditional pottery making techniques.
Ryan's work can be seen in numerous private collection and galleries across the United States. His work has been published in 500 Pitchers (lark books) and Best of Michigan (Kennedy Promotions). Ryan has taught beginning and advanced class at the Ann Arbor Art center and Ann Arbor Potters Guild.
Sarah Gelsanliter has been working with clay since 1992. She has a BA from Denison University and worked as a production potter at Greenfield Village for 10 years. She has taught ceramics classes and workshops at Pewabic Pottery, the Ann Arbor Art Center, and at the Art League School in Alexandria, VA. She has worked as an apprentice to a wood-fire potter in Maryland and has studied at the Penland School of Crafts in NC. Sarah spent a year living in Japan where she had the opportunity to visit numerous Japanese potteries and to travel to Thailand, Korea, and China.
Functional ceramics designed for daily use is Brigitte’s primary focus. While living in Germany she worked mainly on the pottery wheel. However, since coming to the U.S. she incorporates more hand building into her pottery and explores working with the combination of simple forms and various surface decorating styles to obtain the final character her functional ware.
“The charm is, that I can still find those, for me, surprising results after that long time that I have been working in ceramics and after all that I have seen of the work that my fellow potters have done in centuries past.”
Brigitte came to the US in 2006 bringing with her the German degrees of “State Approved Ceramics Designer FS” and “Master of Craftsmanship”. She has worked in ceramics for over 25 years, learning, studying, teaching and producing fine works of functional ware. Brigitte now practices at the Ann Arbor Potters Guild. To see more of Brigitte’s work: www.bmlangpottery.com
Debra Oliva earned a BFA from Northern Illinois University in Drawing and Painting. Relocating to Michigan in 1986 she was able to indulge a longstanding desire to work in clay at the Greater Lansing Potter’s Guild where she has been a member since1991. She has taught children through The Lansing Art Gallery’s Art Smart after school program and Summer Camp. She gives workshops and teaches adults classes in Ann Arbor and Plymouth.
Debra creates functional and non-functional vessels in porcelain and stoneware fired in reduction or soda kilns. She is particularly interested in exploring the effects of the relationship between clay, glaze and firing atmosphere.
Debra’s work has been selected for national and international exhibitions and is represented by several galleries throughout the United States. Her work was included in 500 Pitchers, (Lark Books) and Clay Times Magazine.
A continual inspiration for me is the exploration of the human figure in motion. I strive to capture subtle variations in position and movement of the figure in motion; to freeze a moment, capture the stress, strain, and relaxation in a gesture. These transitory moments are what I seek to realize in my sculpture and drawings
Norma graduated from EMU with a Master’s in Fine Arts. Her work is in sixteen major collections in five different states. She has won many national, statewide, and local awards.
I received my BFA with an emphasis in ceramics from the University of Michigan in 1997 and have worked in clay ever since. I am currently a member of the Ann Arbor Potters Guild.
I grew up in rural western Michigan, and the farms, forests and vast tracts of unbroken land fostered in me a love of unadorned spaciousness; I am drawn to quiet, unbroken stretches that imply this vast space. I find the severely unnatural urban environment – a jumble of boxy shapes, angles, straight lines and smooth curves- equally fascinating. In my work, I strive to combine elements of these two environments, and find the point at which they can coexist.
Deb Saravolatz enjoys mold making, slip casting and hand building. Using castings of found objects and clay forms she assembles parts to create designs evoking aquatic imagery. She has studied with Susan Beiner, Andrew Martin, Patti Warashina and Sadashi Inuzuka, and has been a member of the Potters Guild for the past decade.
Kate Tremel has been teaching ceramics to students of all ages and abilities for nearly twenty years. Since relocating to Ann Arbor a few years ago, Kate has taught ceramics at EMU, the Potters Guild and Yourist Pottery. She received her BA in Spanish and Anthropology from Middlebury College. Her interest in exploring language and culture, led to many different experiences living and working abroad in England, Mexico, Japan, Peru and France. She holds an MFA from Cranbrook Academy of Art and has exhibited her work both nationally and internationally. Kate's long time interest in vessel making began with wheel-thrown pottery and extended to mixed media sculptures constructed from plaster casts of her own body. She is currently making sculptural tableware that is primarily constructed with a paddle and anvil technique that she learned while studying in Peru.
From the very first time that I touched clay at the age of eight, I knew that throwing pots would be my life long passion. Decades later, I am still excited by its seemingly infinite potential.
Throughout my career, ancient Egyptian, pre-Columbian and Native American pottery has been a strong influence on my exploration of classically shaped pottery forms. I begin my artistic process by throwing the clay into classic vessels that are as recognizable today as a thousand years ago. I then alter their form by pushing and pulling and stretching the walls of the pot. When the clay dries to a leather hard consistency, I carve into the walls to give the piece surface relief detail and texture. The last step involves glazing the completed forms with copper and iron rich glazes, chosen to emphasize the organic and timeless nature of clay. Combining the ancient tradition of pottery making with my contemporary vision, my work integrates past with present.
Unlimited Studio Time:
$125 per month
Access to all our studio equipment
Additional fees for clay and kiln firings not included.
An introductory offer of one bag of our studio mix clay including firing is $32.95. This offer is valid one time only, with the purchase of community studio time.
Call 734.662.4914 or email Kay for more information.